b. 1998 (London)
Education
BFA Fine Art, Ruskin School of Art, University of Oxford, 2020
Forthcoming
Solo Presentation with a. SQUIRE, Paris Internationale 2024
Galerie für Gegenwartskunst, E-WERK Freiburg, Germany, 2025 (solo)
Solo Exhibitions
2023
Buffer, a. SQUIRE, London
2022
Earwitness, Purcell Room, Southbank Centre, London
Selected Group Exhibitions
2024
1181⁄2, Emalin, The Clerk's House, London
2022
Assemble, V.O Curations, London
The Production of Post Truth, fetchish_net, London
2019
New, New College, Oxford
2018
Bodies of Work, St. John’ s College, Oxford
Residencies and Awards
2024
Artist Grant (formerly DRABL), awarded by Ben Broome in partnership with Sadie Coles, Maureen Paley, Shane Akeroyd, David Kordansky Gallery, and Marlborough Gallery
2023
Studio and Research Residency in association with Riwaq, Ramallah, and The Palestinian Museum,Birzeit
2016
Studio residency, Mashiko, Japan
Selected Writings
2023
‘On Stealth’, a. SQUIRE, London.
2022
‘On the ruined image: questioning the materiality of the photograph and its role in depicting the process ofrecollection’, photographies, 15:3, 311-330, Routledge, Taylor & Francis, DOI:10.1080/17540763.2022.2096676.
Selected Press
2024
Bucklow, I. ‘“118” Emalin / London’, Flash Art, 29 February.
Douglas, C. ‘118 at Emalin’, Contemporary Art Society, 23 February.
Anon. ‘The Clerk’s House is a new Shoreditch gallery space with a spooky past’, Wallpaper*,February.
Reyburn, S. ‘Global Galleries Return to an Expanding London Scene’, The New YorkTimes, 22 January.
‘The best exhibitions this week in London, from Pesellino to Pope.L (January 11 to 18)’, TheStandard, 13 January.
2023
‘Buffer’, Contemporary Art Library, November.
Wilson, J. C. ‘The who’s who of the new Bloomsbury group’, Plaster Magazine, October.
Anon,‘Raw Sewage on the Dance Floor’, spittle, 17 October.