b. 1998 (London)
studio@ceidramoonmurphy.com
Currrent
Accessories, Diana, Milan, IT, 28 March - 10 May 2025
Solo Exhibitions
2025
Accessories, Diana, Milan, IT
Groundwork, Galerie für Gegenwartskunst, E-WERK, Freiburg, DE
Public Interest, a. SQUIRE, London, UK
2024
Solo Presentation with a. SQUIRE, Paris Internationale, FR
2023
Buffer, a. SQUIRE, London, UK
2022
Earwitness, Purcell Room, Southbank Centre, London, UK
Selected Group Exhibitions
2024
118½, Emalin, The Clerk's House, London, UK
Residencies and Awards
2024
Artist Grant (formerly DRABL)
2023
Studio and Research Residency in association with Riwaq, Ramallah, and The Palestinian Museum, Birzeit, West Bank
Selected Bibliography
2025
‘Ceidra Moon Murphy, “Accessories” at Diana, Milan’, Mousse Magazine.
‘Ceidra Moon Murphy, “Public Interest” at a. SQUIRE, London’, Mousse Magazine.
Benson, L. ‘Ceidra Moon Murphy’s Game of Show and Tell’, ArtReview, Vol. 77, No. 2 (March): 81.
Harman, G. ‘Auras and Accessories’. Milan: Diana.
Roeschmann, D. ‘Damian Juillard und Ceidra Moon Murphy im Freiburger E-Werk: Speicher für Begehren und Wissen’, BadischeZeitung, 17 February.
Stead, C. ‘Five Galleries to Watch in 2025’, frieze, 6 January.
2024
‘The best exhibitions this week in London, from Pesellino to Pope.L (January 11 to 18)’, The Standard, 13 January.‘The Clerk’s House is a new Shoreditch gallery space with a spooky past’, Wallpaper*, February.
Broome, B. ‘Ben Broome intervention part 1’, Arcane, no. 3 (December): 159.
Bucklow, I. ‘“118 1⁄2” Emalin / London’’, Flash Art, 29 February.
Douglas, C. ‘118 1⁄2 at Emalin’, Contemporary Art Society, 23 February.
Malvoisin, A. ‘Paris Internationale, toujours rebelle’, Beaux Arts Magazine, no. 485 (November): 84.
Murphy, C. M. Interview with Olivia Aherne, Curator, Chisenhale Gallery, Paris Internationale.
Reyburn, S. ‘Global Galleries Return to an Expanding London Scene’, The New York Times, 22 January.
2023
Murphy, C. M. ‘On Stealth’. London: a. SQUIRE.
2022
Murphy, C. M. ‘On the ruined image: questioning the materiality of the photograph and its role in depicting the process of recollection’,photographies, Vol. 15, No. 3: 311-330.
Collections
KADIST, Paris
Education
BFA Fine Art, Ruskin School of Art, University of Oxford, 2020